"It is the mark of an educated mind to be able to entertain a thought without accepting it" - Aristotle

Showing posts with label red and blue. Show all posts
Showing posts with label red and blue. Show all posts

Friday, May 28, 2010

Ego and Revelations in Pop Synchronicity

Four months ago I made my last real contribution to MK Culture which was the entry titled The Dimension of Dance. What followed was a period of disillusionment with what has been referred to as the truth seeker or conspiracy theorists "community" and a disappointment in the way my blog was being perceived. I was not the least bit surprised when the syncs continued to occur despite the fact that I was no longer sharing them via the internet.

One of the first syncs happened while viewing the film Vanilla Sky for what has to be the tenth time by now. This time I had noticed that Sophia, played by Penelope Cruz, was a professional dancer. Of course this fact caught my attention considering my last blog entry centered around the theme of dance and it's connection to spiritual experience in the pop culture iconography of everyone from Michael Jackson to Fall Out Boy. Of course the symbolic name Sophia didn't help matters as the name Sophia means wisdom in Greek and represents many Goddesses including her manifestation as the wisdom of God in Gnosticism and her roles in Platonism and both Orthodox and Esoteric Christianity.
In Vanilla Sky, Sophia is a muse to David Aames; she's there every morning whispering "open your eyes" and inspiring him to dream, create, and accept himself. She is the one aspect of his life that isn't stimulating his preoccupation with money, business, and sex. In the end though, she is just as much apart of the dream as everyone else.
As time went by I started listening to a lot of old Funk records including many of the albums made by Funkadelic. Their song "Electric Spanking of War Babies" in particular caught my attention.

Electric Spanking of War Babies

Hi there (hi, are you talking to me? What is that?)
You probably don't remember me, right? (no, I don't remember you)
Ah-ha, but I remember you (what's that? I don't???)
You probably won't believe this, but, uh
I, at the early age of seventeen
Was adopted by aliens hahahah (hahahaha)
Was adopted by aliens hahahah (hahahaha, oh god)
That's right, I said aliens (ahh)
They have long since programmed me
To return with this message

When you learn to dance
You won't forget it
Ooh, if you learn to dance
You won't forget it

When you learn to dance
You won't forget it

As I immersed myself deeper into their back catalogue I discovered that dancing was a very common theme in their funk meets psychedelic (psych = soul, delein = to manifest) music. In fact one of their most popular songs "One Nation Under A Groove" features the lyrics "Nows our chance to dance our way out of our constrictions".

Musically, I've also been interested in electronic band Glass Candy. The introduction to their 2007 album Beat Box features some interesting lyrics.

Our world, our lives, our bodies
They are constantly changing
But there's a rhythm that runs through it all
And that's where we'll find our true selves
We live in a universe of transformations
But the heavenly beat is a constant
So keep on dancing!

The next track on their album is "Beatific" in which they sing about the Beatific Vision of Christian theology which is said to be the direct visual perception of God.

Lights and shadows keep us dancing round and round
The cover of Glass Candy's album Deep Gems; do these colors look familiar?


The short documentary above confirmed my belief of the spiritual elements of their work. In the clip they discuss the inspiration taken from Africa tribal dances which relates to Shamanism, another interest of mine lately.

After watching the Glass Candy clip, an ad popped up urging me to step through the looking glass and purchase Tim Burton's Alice in Wonderland. Don't you hate how those ads are always ten times louder than the video you're viewing?
The mushrooms featured in Alice in Wonderland were another sync to Shamanism and the mushrooms used to bring the Shaman to a state of trance.

Another concept I explored in Dimensions of Dance was the consistent appearance of the colors red/orange, green, yellow, and blue in popular culture and I found connections to those very same colors used in various spiritual and religious systems and myths.
This connection hit me again while watching the Jim Carry film Evan Almighty.
Check out the colors on his hat and the symbolic 7 on his mic.

Madonna, who has become somewhat of a constant muse for the blog, was referenced heavily in Dimensions of Dance. The recent tribute episode of Glee has reignited public interest in her cultural impact. The episode focused on her role as a popular symbol for empowerment. The episode caught my interest as Dimension of Dance focused on dance references in religion and pop culture representing spiritual power and experience.

Dance as a form of expression and empowerment, it seems, has been the most common theme throughout her career.
Now I'm dancing...

Madonna's 2000 hit single "Music" once again references dancing as well as infinity with the lyrics "Don't think of yesterday and I don't look at the clock, I like to boogie woogie". If you don't think of the past or the future you're in the moment and the possibilities are infinite. Infinity was, of course, another common theme in Dimensions of Dance.
There's no beginning and no ending...

When looking back at Dimensions of Dance I was disappointed that I missed the most obvious example of dance and spirituality in Madonna's career, the Whirling Dervish imagery featured in "Bedtime Story".The inevitable influence of Madonna led me back to an earlier exploration of MK Culture, Magic Mirrors.

Recently fellow pop star Beyonce re-released her single Halo with an alternative version of the music video. As I watched the video I remembered the original video and the fact that she was dancing in a leotard in front of a mirror. Of course other bloggers/researchers have caught onto the mirror references and have come to the conclusion that the video propagates the idea of demonic possession. This theory centers around the symbolic lyrics and the fact that magic mirrors were used to both contact the dead and reveal the future - similar, but not the same, as a crystal ball.

In my recent exploration of Shamanism I had to correct myself when I made a connection between Shamanism and Haitian Vodou. The Shamans were quick to correct this comparison stating that their practices do not center around possession - although they do allow themselves to be vessels for spirits. So all communication with spirits are not "satanic" and possession itself isn't even evil. Actually it is quit offensive to call it demonic when this is something that the Haitians believe so strongly in. So, while Beyonce's song and video may reference communication with a spirit that does not necessarily mean the video is demonic.
I've got my angel now.

The use of the word "angel" in "Halo" made me think of Madonna's recent Sticky & Sweet Tour DVD. In the song "Devil Wouldn't Recognize You" she sings "they angels they surround my heart". The lyric didn't catch my attention until I noticed that during her interviews in the special features she talks about angels directing her to people and situations. This is not a surprise considering an integral part of Kabbalah is summoning and communicating with spirits (not demons). So some of these themes are very common and can be traced through Kabbalah and Shamanism. There's no need to demonize everything...

Donnie Darko first communicates with Frank the giant bunny in a dream and the second time through a mirror. The fact that Frank is a bunny draws similarities to Alice in Wonderland and the name Frank made me think of another controlling character from another film, Frank from Rocky Horror Picture Show.
Not to get too off topic here but the connection to Frank and the fact that he is a transsexual made me recall another earlier exploration of mine which was the masculine and feminine duality of the colors red and blue and their relation to spirituality. I recently came across a couple of photos that relate to that concepts.
This first photo is representative of Kundalini awakening. Notice that the intertwining energies are blue and red and the crown becomes purple. I explored this while writing about Madonna's use of the colors red and blue in the Confessions Tour and how she ended the show in a purple leotard.
This photo kind of caught me off guard. The colors red and blue associated with the ultimate symbol of spirituality. Strangely enough this photo made me think of both Kabbalah and Freemasonry.
If you look at the painting of Jesus you'll see the blue and red lights are close to his heart. Now if you look at Kabbalah's Tree of Life you'll see Severity and Mercy, the masculine and feminine pillars, are close to the heart. Those pillars, of course, became Joachim and Boaz in Freemasonry as of course Freemasonry is inspired by Kabbalah.

Speaking of Kabbalah, something I've been thinking about lately is the ego - particularly mine. I don't mean ego in the sense that the media has changed it into, I mean aspects of myself that I lack control in that block spirituality and causes problems for myself and others. To me it's basically self examination and taking responsibility for your life which gives you power. Not saying I'm fully into Kabbalah but I'm curious about everything and apply things that make sense to my life and this makes sense.

During Madonna's Sticky & Sweet Tour she has a video playing on the screen projection while performing "She's Not Me". On the surface the performance is about a woman who is stealing Madonna's style in order to gain her power and position in the world.

The part that I find interesting starts at 3:23 and continues until the video ends. The video seems to be more about Madonna's belief in Kabbalah and their views on the ego. While it's easy to assume that they just incorporated a bunch of random videos into this new video, when given a closer look every video deals with identity and ego.

The first clip is from "Take a Bow". The male character in the video is a famous bullfighter who is struggling with his public image and the fact that he's having an affair with an average lower class woman.
Dita, Madonna's alter-ego from "Erotica". No explanation necessary.
The identity struggle in "Like a Virgin" is evident as there are two opposing Madonna's, one the pure virgin in white who is waiting and the other in black who opening embraces her male lover. The old Madonna/Whore complex.
"Open Your Heart". The black wig over the blond hair symbolizing duality and her struggle with her occupation as an exotic dancer.
In "Power of Goodbye" Madonna plays chess with a male opponent. In the video she fights for control over the male's sway he has over her with his sexuality.
"Bad Girl" - 1992. No explanation necessary.
Identity.
Die Another Day. Probably her most blatant use of Kabbalah's outlook on the ego.
You get the point, right?

Express yourself, don't repress yourself.

The ego and the shadow are always in conflict (Henderson, 1978, p110). If we choose to
repress some aspects of our personality, whether it is anger or joy for example, we will
inevitably cast this shadow onto others. This is projection. If someone does something that you
detest; a particular way they laugh, cry, or throw a ball, or they earn more money than you, this
is the projection of your shadow onto them. It is not their stuff but your own that annoys the
hell out of you.


Source

The ego concept is pushed further in another performance. In "Human Nature" Britney Spears is featured in the video projection. Madonna revealed that the video was inspired by a scene in Revolver, a film directed by her ex husband Guy Ritchie (who also directed the recent hit Sherlock Holmes). The scene is a very powerful scene where lead character Jake faces his ego and gains control over his life.

You ain't me.
She's Not Me.

The elevator has been used numerous times as a symbol for life. One of my favorite songs, "Let's Go Crazy" by Prince uses the elevator as a metaphor.

Bringing it back to where we started, David finds out the truth about his artificial perception of life while inside an elevator in Vanilla Sky.

Artificial, computer generated worlds have been a common theme in films since the dawn of the new millennium. What I found interesting while watching Vanilla Sky is how much the film resonates with our current state of existence. In a way, we are already living in a computer generated world run by technology. You are reading this article because of technology. You have no connection with me beyond technology. With televisions, computers, cell phones, and what ever else is out there, we spend more time with technology than we do in the real world, and what is real world anymore?
A common thread in these films is knowledge or revelation freeing us from the constrains of our artificial existences, whether they be technology or our own ego. Another concept of the search for knowledge of Self and the universe is Astrology. As above, so below is another conspiracy favorite but it's true meaning point to Astrology or Macrocosm and Microcosm. Believe it or not there are very clear references to these concepts in popular culture. One clear example is electronic band Depeche Mode's song "Macro". Another band, Goldfrapp, seem to reference this knowledge on the cover for their album Supernature.
The Peacock is a symbol for knowledge as she stands in front of the stars -- as above, so below.

Even pop princess Kylie Minogue, who most just look at as pop fluff, has a song titled "Stars" that points to this same concept.

The song is on her album X which is a very symbolic title.
She comes in colors...

In a way, that ties in both Magic Mirrors with Dimensions of Dance with this post. Madonna called on her audience to "connect to the sky" while the muses of Xandu came from the sky. Frank was a transvestite from outer space who's last message was "Don't dream it, be it". Once again, the syncs connect and paint a clear picture but confuses us enough to keep us hanging on for more. After all, we wouldn't be exploring this synchronicity if it all made perfect sense. Maybe David had it right when he left Sophia behind in Vanilla Sky, or maybe not, who really knows.

"And crawling on the planet's face,
some insects called the human race,
lost in time, lost in space, and meaning" - Rocky Horror Picture Show

Thursday, November 19, 2009

Beyonce's Duality


Beyonce's new music video "Video Phone" featuring Lady Gaga premiered the other day. At first I didn't plan on posting about it but there were a few little things I noticed that I felt were worth mentioning.
Of course there's the usual "one eye" symbolism. This is very similar to Lady Gaga in her debut video for "Just Dance".
Beyonce's next outfit is full of duality. First of all the entire outfit, including her earrings, are black and white. There's also a black and white eye on one of her breasts. On her....panties there's the Greek Comedy and Tragedy masks. If you research these masks there original purpose was to represent duality.
To make the duality theme even more obvious they even threw in the ying and yang symbol.
I found the guys with the bags over their heads interesting. It reminded me of beheadings. Anyway, Beyonce is also wearing leopard print pants.
Multi-colored checkerboard pants. Her look is also an obvious homage to Bettie Page (dominatrix/sex kitten).
This scene was the most interesting to me. No, not because of the obvious "Roc" symbol she's throwing up, but because of the shirt she's wearing. Some thought the image was an alien but I personally say it's a mask. The earrings are what blew me away. They are the Male and Female symbols using the colors blue and red. If you've been keeping up with this blog you know that I've covered this theme a lot. At the bottom of this post I will include links to some of the posts where I've covered this theme.
Lightening bolt earrings/Phallic symbolism.

Holiday on the Moon (purple symbolism; blue + red = purple)

Christ's Musical Express ( same as above)

Magic Mirrors 3 : Future Lovers Ride

Kanye West - Flashing Lights Live

Magic Mirrors 4 : Evidence Of It's Brilliance

2009 MTV Video Music Awards

Aaliyah, Left Eye, Horus, and the Moon


Tuesday, July 21, 2009

Magic Mirrors Part 3 : Future Lovers Ride


In Magic Mirrors Part 2 : The Muse(ic), I left off with the music video and performances of "Sorry" by Madonna. In my exploration I discovered a reoccurring theme throughout the media representation of this song. In the final performance there seemed to be one story told three times in three different ways.

The performance begins with a music video being played on the screen located on the stage. The music video features Madonna, in a purple leotard, reciting a spoken word representation of her song "Sorry" while images of disasters and various world leaders flash across the screen. On stage two dancers, one male and one female, appear and start fighting. The third element of the performance is created when the viewer ponders what the connection between the video and performance is.

My conclusions was that the dancers on stage are the metaphysical representation of the images on the screen. There are too many dictators and authority (male energy) and not enough female energy and that is throwing off the balance of the world and creating disaster and turmoil. This theory is heightened when a blinking George Bush appears as the female dancer is knocked to the ground by the male dancer at 3:03.

As I've stated before, when describing Kundalini energy, male energy is usually linked with the color red while feminine energy is linked with blue. Red and blue combined are purple. This concept of the fusion of male and female energy is not synonymous with Kundalini. Many cultures and philosiphies describe this as the key to enlightenment.

One example of this is the Egyptian symbol Ankh. While it's meaning is disputed by scholars, people in Egypt tell tourist that the symbol is a representation of the unified male and female sexual organs and the children of the union.
Prince has used the following symbol for most of his legendary career.
Prince's symbol was inspired by the Ankh symbol with slight changes so it too represents the fusion between the masculine and feminine. Prince's image is also a fusion of masculinity and femininity and his color of choice has always been purple (Holiday on the Moon).

So what does all of this have to do with Madonna? Well, in 2005 she opened the MTV Europe awards with "Hung Up".

The performance began with a disco/mirror ball which changed from red to blue continuously until it lifted revealing Madonna underneath dressed in purple.




While exploring the themes found in the work of Madonna I found parallels in the work of another popular female music star who, like Madonna, is considered to be the queen of her zenre of music.

Mary J. Blige rose to the top of the Hip-Hop and R&B world in the 90's. Like Madonna, her image changed at the beginning of this decade. Madonna went from a sexually provocative image to a spiritually motivated humanitarian and mother while Mary J. Blige went from a abused drug addict to a drama free married woman. That's not where the parallels end though.

The same year Madonna released "Hung Up", Mary released "Be Without You". Like "Hung Up", the music video features it's star in front of a mirror for the majority of the video.

Here is Mary in front of a window in her apartment. As you can see the window creates a reflection.
Throughout most of the video Mary is either shown singing in front of the window with her refection or this mirror.
This scene reminds me of the Jacksons video from Part 1 with this Egyptian rebirth pose.
Like Madonna in "Hung Up" Mary is waiting for a call.
Most of the video is in black and white besides the scenes where Terrence Howard is with her.

Click here to view the video.

Like Madonna's "Sorry" Mary followed this video up with a song about kicking a man to the curb.

Click here to view "Enough Cryin" (by the way, check out the animal prints and mirrors when Mary's alter ego Brooklyn appears)


The following year Mary released a greatest his album titled Reflections (A Retrospective). The first single from that compilation was "We Ride (I See The Future). The title is interesting considering magic mirrors are used to see the future as I explained in Part 1.

The video begins with various shots of skyscrapers. I'm aware that these buildings create a reflection since I work in downtown San Jose and see them daily.
As we can see Mary is dressed in blue.
The male character, played by her real life husband, is in red.
They ride their motor cycles up a mountain. This concept reminds me of the Goldfrapp album Felt Mountain, the idea of a mountain representing spiritual ascention.
As they reach the top of the mountain they are illuminated by the sun.

Click here to view the video.

Now let's take a look at the lyrics :

[Intro] Just can't help it I love my hun All that I need And all that I want Said I Just can't help it I love my hun All that I need And all that I want [1st Verse:] Everybody asking "Why Mary ain't mad no more?" It seems Like a question That I've already answered Like too many Times before Now ladies If you got a man And he treat You real good Ain't you gon' flex Every chance That you get Now ain't you gonna Love him Just like you should Especially when you Never thought You would Yeah Oh you know That I'm All into the feeling And I never Look to lose it Oh for sho' This is consistent With you I find a rhythm [Hook:] From the day To the night We ride We ride We ride Hey How you Like it How you Like it I see The future baby You and I Better with time And it is What it is And I Just can't help it And I felt What I felt No I just can't help it I see the future, baby Me and you That's how we do [2nd Verse:] I got a song In my heart That's all That I need I sing it Acapella I sing it To the beat What we are Is classic You know it Because your Attitude shows it Now fellas If you got a girl And she treats You right Ain't you gonna spend Every dollar, every cent Eh Ain't you gonna make sure She stay fly Especially when She's reppin' You for life [Hook:] From the day To the night We ride We ride We ride Hey Now how you Like it How you Like it now I see The future baby You and I Better with time And it is What it is And I Just can't help it And I felt What I felt And you know I just can't help it I see the future, baby Me and you That's how we do [Bridge:] You are mine I told you before I wouldn't lie I need you And more Gotta stay With you I am safe With you Let me Repeat it In case you forgot Love is a mountain And we're At the top Yeah Breath and strength Cause I see The future in your eyes [Hook:] From the day To the night We ride We ride We ride How you Like it How you Like it, baby I see The future baby You and I Better with time And it is What it is And I Just can't help it And I felt What I felt And you know I just can't help it I see the future, baby Me and you That's how we do From the day To the night We ride We ride We ride Now how you Like it How you Like it Yeah, yeah, yeah I see The future baby You and I Better with time And it is What it is And I Just can't help it And I felt What I felt And you know I just can't help it I see the future, baby Me and you That's how we do [Outro:] Just can't help it I love my hun (And we ride) All that I need And all that I want Said I Just can't help it I love my hun (And we ride) All that I need And all that I want From the day 'Till the night We ride We ride

The lyrics bare a striking similarity to "Future Lovers" by Madonna. Check out these lyrics:

I'm gonna tell you about love Let's forget your life Forget your problems Administration, bills, and loans Come with me In the evidence of its brilliance (4x) Spoken: In the demonstration of this evidence Some have called it religion This is not a coincidence Would you like to try? Connect to the sky Future lovers ride Their ambitions high Would you like to try? Let me be your guide Put aside your pride Future lovers hide love inside their eyes In the evidence of its brilliance (4x) Not controlled by time Future lovers shine for eternity In a world that's free Put away your past Love will never last If you're holding on to a dream that's gone I'm gonna tell you about love Would you like to try? In the evidence of its brilliance (4x) There's no love like the future love Come with me Connect to the sky Future lovers ride there in mission style Would you like to try? Connect to the sky Future lovers ride Their ambitions high Would you like to try? (In the evidence of its brilliance) (repeat) Connect to the sky Future lovers ride Their ambitions high Would you like to try? Brilliance… (4x) In the evidence of its brilliance
Similar themes of the future, riding, lovers, and spirituality. Is it all a coincidence?

To be continued...
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